Though he has indeed kept the same Shakespearean Old English, he has used less of it, only using the important statements that give a good, clear indication of what is happening and the emotion behind it.
However in the Luhrmann version colour was not used so that it was in your face, it was discreet and occasionally obvious. Zeffrelli wanted to make all of the music either calm or jolly.
For instance, in the panoramic opening scene the music is rather dark and solemn, with a lot of low strings and brass, especially horns.
Both directors used costume to make the actors fit in with the time periods, for example in Leonard whiting would not have worn tights and a tunic around the shops. It is set in the countryside with a traditional American home surrounded by golden fields yet in the corner of the sky it is dark grey and symbolises the bad news on its way.
The fish tank could have a lot of possible symbolism behind it, for instance a likely symbolic meaning is the fish tank acting as a barrier indicates that their love contains a lot of struggle because it is a large obstacle in their path. Just after Romeo throws his mask in the fountain and turns towards the fish tank, we see a man in the toilet peeing in the background.
On stage, the characters described the setting in their speeches. This shows the audience the anger built inside the character by reinforcing the consonant sounds. All over the table there are flags and patriotic items, this tries to show that the people are behind the war, and that it is the ordinary people who have to stand up to the tyrant.
A Critical Edition of the Major Works. It is reassuring to see how these men-in-power have some humanity left, taking the case higher and higher until it found the commander-in-chief played by the talented Bryan Cranston who decides that the remaining sibling should be pulled out and sent back to the grieving mother.
The two texts are set in completely contrasting social and historical contexts of Elizabethan England to Southern California in Verona Beach. Baz Luhrmann uses eye-line matching, still while the camera is tilting from one event to another, to indicate that Romeo is not in his normal state of mind because he is blinking his eyes in a disorientated manner.
Then, when the Nurse pulls Juliet away, the party atmosphere with people talking immediately comes back, making the audience divert the attention back onto the wider picture, but, more subtly, it makes us, as the very eager audience, want to know more about how Romeo and Juliet will pan out from there.
Dramatic contrasts in act 1 scene 5 Essay I think both directors used a number of different techniques to successfully make the audience respond positively to their films.
Sir Philip Sidney states in his Apology for Poetry that poetry should both delight and teach, and both the text and the film serve this purpose well—each suited to the time in which they were presented.
Depending on which family you belonged to you would of worn either suits or a Bermuda shirt and jeans. Luhrmann wanted to make the visual means of bringing the sometimes obscure references to life an not just rely on the language spoken.Luhrmann has used all of the Act 1 Scene 5’s aspects to create tension and suspense for the audience in different ways.
On the whole, Baz Luhrmann’s version of Act 1 Scene 5 has shown and proven that the film has more to it than it seems and viewers need to read between the lines to understand the full meaning and message of the film.
Luhrmann’s version however uses the prologue as his opening shot.
He does this on a TV screen. This is quite clever; he brings the stories prologue to the modern day in an interesting way of using a.
- Luhrmann's Presentation of Act 3 Scene 1 of Shakespeare's Romeo and Juliet I think Luhrmann was successful in presenting Act 3 Scene 1 of Romeo and Juliet. Luhrmann was able to present the movie in such a way that people can understand the movie without actually understanding the original text.
Romeo and Juliet at a Glance; Play Summary; About Romeo Act I: Prologue; Act I: Scene 1; Act I: Scene 2; Act I: Scene 3; Act I: Scene 4; Act I: Scene 5; Act II: Prologue; Act II: Scene 1; Act II: Scene 2; Act II: Scene 3; Act II: Scene 4; Act II: Scene 5; Act II: Scene 6 In Romeo + Juliet, Luhrmann presents the Prologue as a news.
I think Luhrmann’s film version of Romeo & Juliet brings Act 1 Scene 5 to life exceptionally well. His choice of setting, type of music, designs of costumes, and other film directions and language use portray the original Shakespeare version marvellously.
Overall, I believe the Baz Luhrmann film version of Romeo and Juliet brings Act 1 Scene 5 to life very well. As I have the whole film at home, I hope the written Shakespearean play script is just as good as Luhrmann’s film version, as it really brings to life the whole play to .Download